For a little while now, I've felt that my internet handles haven't necessarily represented what I do. I don't expect them to represent who I am particularly deeply, as they're usually limited in characters and two or three words cannot a person summarise in any case (no matter how hard you might try on Twitter).
Anyway. My name, or anything much based on it, has never been an option seeing as it's a spectacularly common British name. I've worked through a fair few handles in my time, from obscure teenage references to a Jonny Wilkinson obsession to my most recent feuille blanche brand. I chose feuille blanche because a) French sounds pretty and b) I liked the idea of 'blank page' as suggesting that I'm open to ideas, that I'm somehow a work in progress in myself. This latter point is no less true than before, but it's not very clear, it's a bit funny to spell and, as an established French phrase, it's sometimes find it free as a username or web address. I also have a more established framework to work in now than when I set myself up on the blog and on Twitter - I belong to an institution, I have a role within that institution, and I'm very proud of both of these things.
So from now on, this blog can be found at discipulaeboracensis.blogspot.com. I know, it's a bit pretentious, but I couldn't help myself. The idea came when I was given my temporary "zoo" office at the université de Lausanne (on which more another time), so called because its large floor-to-ceiling windows face into the centre of the building, leaving the occupant feeling a little like a specimen on display (not that the passing students are the most interested watchers-of-academics, but still!). On wondering what my genus name would be, I eventually landed on discipula eboracensis - student (female, of course) of York.
So there it is. This blog is officially written by a student of York, at York, in York (mostly), who is becoming, bit by bit, a little less of a blank page.
Thursday, 18 April 2013
Tuesday, 9 April 2013
Did anybody else miss March?
Which is to say - oops, it's been a while since I was here last!
I mean, I'm not the only person who seems to have just given March a miss - British springtime is still dragging its feet as far as I can see, despite increasingly desperate entreaties from, well, EVERYONE.
The AWOL status of the Gulfstream apart, what did happen to my March? With the aid of my diary, I can surmise that it got a bit lost under a slew of teaching, teaching observations (on which more another, more coherent time), meetings for a variety of conferences, and a lot of transatlantic Skyping with κύριε καθηγητά. And the small matter of some uninvited SVT, but that's nothing to dwell on, fortunately.
And where did a lot of rushing about and generally being a bit hazy get me? Well, the two reasons for multiple Skype meetings with George have both pretty much borne fruit, or have at least budded: firstly, I gave a paper at the 8th Newcastle upon Tyne PG conference last Friday (5th April), which went down well, if not spectacularly. The work that I have done so far, however, provides a good basis on which to build at least part of my PhD, so that's exciting.
And secondly, a joint project that κύριε καθηγητά and I are working on has been accepted to be presented at the EdiSyn workshop in Konstanz this summer - my first conference outside the UK! So, even if it's feeling like a slog from time to time, results seem to be appearing.
I've learnt a few, arguably more important, lessons along the way, though. Such as the fact that 'no' is a valid word, and it's OK to use it. That even if you're no longer a slave to the term schedule, you still can't just push through for weeks and weeks on end without a break.
And a last thought - a happy body = a happy mind; a run of squash coaching sessions gave me a huge (and underappreciated) boost throughout February, which I think I've missed in March. Better get back onto the court (or into a pool, or similar) soon then!
I mean, I'm not the only person who seems to have just given March a miss - British springtime is still dragging its feet as far as I can see, despite increasingly desperate entreaties from, well, EVERYONE.
![]() |
| Snow and blue skies on 11th March, my birthday. Very bizarre. |
The AWOL status of the Gulfstream apart, what did happen to my March? With the aid of my diary, I can surmise that it got a bit lost under a slew of teaching, teaching observations (on which more another, more coherent time), meetings for a variety of conferences, and a lot of transatlantic Skyping with κύριε καθηγητά. And the small matter of some uninvited SVT, but that's nothing to dwell on, fortunately.
And where did a lot of rushing about and generally being a bit hazy get me? Well, the two reasons for multiple Skype meetings with George have both pretty much borne fruit, or have at least budded: firstly, I gave a paper at the 8th Newcastle upon Tyne PG conference last Friday (5th April), which went down well, if not spectacularly. The work that I have done so far, however, provides a good basis on which to build at least part of my PhD, so that's exciting.
![]() |
| Caught in action by Theodora...who unfortunately papped the worst slide of my entire presentation - waaaay too much text! |
I've learnt a few, arguably more important, lessons along the way, though. Such as the fact that 'no' is a valid word, and it's OK to use it. That even if you're no longer a slave to the term schedule, you still can't just push through for weeks and weeks on end without a break.
![]() |
| Nothing like catching the sunrise from your tent in the Peak district to chill you out... |
And a last thought - a happy body = a happy mind; a run of squash coaching sessions gave me a huge (and underappreciated) boost throughout February, which I think I've missed in March. Better get back onto the court (or into a pool, or similar) soon then!
![]() |
| Or if all else fails... lindy-hoppers + red noses = a wonderful weekend |
Thursday, 14 February 2013
A diversion (for One Billion Rising)
I've just been taking a break from my paper on perspective shifting in interrogatives (3,127 words in, approximately 3,000 words of waffle) to pop down to the One Billion Rising event on campus.
Eve Ensler's One Billion Rising campaign is named after the one in three women who have, currently do, or will experience violence against them in some form during their lives. So to keep them in mind, and start to set other people's minds thinking on it, today - Valentine's Day - has been at least in part reappropriated from Hallmark for events to get people talking, thinking, and most of all, DANCING.
Oh-so-sadly, I didn't get any pictures of my dodgy shape-throwing to share with you. Consider this my Valentine's gift to each of you.
What I did turn my hand to though, and I will nervously share, is a few thoughts on that huge, great, pink elephant in the collective room at the moment - say it quietly - feminism. People (not just women) seem to be embracing it and abandoning it in equal measure at the moment, with both apathy and a LOT of 'pathy going around. So here's my attempt to get my head round it.
What is feminism?
It has no code, no doctrine
No great (or Greer) leader
It has no secret handshakes
No uniform - dungarees NOT excepted -
Not even a gender restriction.
If you don't want to be a feminIST
or associate with decades of tired, conflicting baggage
Be a femophile
Like women, love women
Learn all about them and try to speak to them in their language
Be a fem-fan
Support women, cheer them on,
Elevate them to a higher league and rejoice in their successes as if they were your own
Be a Femian, a Femlim, a Femdu, or a Few
Believe in women, have faith in them
Trust them with your earthly happiness
And maybe you'll find
You too
Are a feminist after all.
A work in progress. In all senses.
Eve Ensler's One Billion Rising campaign is named after the one in three women who have, currently do, or will experience violence against them in some form during their lives. So to keep them in mind, and start to set other people's minds thinking on it, today - Valentine's Day - has been at least in part reappropriated from Hallmark for events to get people talking, thinking, and most of all, DANCING.
![]() |
| First came the fem-cakes.... |
![]() |
| Then came the dancing! Very brave Linguistics MA student Petya got everyone up and belly-dancing... |
![]() |
| ...then we were wowed by some seriously hot rumba |
What I did turn my hand to though, and I will nervously share, is a few thoughts on that huge, great, pink elephant in the collective room at the moment - say it quietly - feminism. People (not just women) seem to be embracing it and abandoning it in equal measure at the moment, with both apathy and a LOT of 'pathy going around. So here's my attempt to get my head round it.
What is feminism?
It has no code, no doctrine
No great (or Greer) leader
It has no secret handshakes
No uniform - dungarees NOT excepted -
Not even a gender restriction.
If you don't want to be a feminIST
or associate with decades of tired, conflicting baggage
Be a femophile
Like women, love women
Learn all about them and try to speak to them in their language
Be a fem-fan
Support women, cheer them on,
Elevate them to a higher league and rejoice in their successes as if they were your own
Be a Femian, a Femlim, a Femdu, or a Few
Believe in women, have faith in them
Trust them with your earthly happiness
And maybe you'll find
You too
Are a feminist after all.
A work in progress. In all senses.
Friday, 8 February 2013
Filling the Diary (and Baby's First Glasses)
As I mentioned a couple of posts ago, I'm a girl who needs a framework to get anything done. Leave me deadline-less and I will happily read novels until I go blind (more on that below!), preferably in a good hot bath until I turn into a prune/get shouted at by housemates, write letters to friends, doodle, make random paper-based objects that will never see the light of day and, in short, get very little done on my seemingly vast uphill climb of a PhD.
I've kickstarted myself by beginning to commit words to paper in possibly the least coherent literature review ever written. I'm now on about 8,000 words - how many of these will make it into the eventual thesis I cannot say, but it's keeping my head clear and on course.
I have, however, found that another way of focusing my mind is to get involved with projects, thereby plumping up the ol' CV and forcing myself to think time management - for example, if I'm in meetings and seminars all day Monday and Wednesday, then I am forced to sit myself down and get working hard on Tuesday, Thursday and Friday.
Here's the things I'm involved in:
I've kickstarted myself by beginning to commit words to paper in possibly the least coherent literature review ever written. I'm now on about 8,000 words - how many of these will make it into the eventual thesis I cannot say, but it's keeping my head clear and on course.
I have, however, found that another way of focusing my mind is to get involved with projects, thereby plumping up the ol' CV and forcing myself to think time management - for example, if I'm in meetings and seminars all day Monday and Wednesday, then I am forced to sit myself down and get working hard on Tuesday, Thursday and Friday.
Here's the things I'm involved in:
- So it's all about conferences in the first year - I'm submitting abstracts and I have already presented a bit, but most interestingly, I'm involved in organising not one, but two conferences for 2013. The first one is PARLAY (Postgraduate Academic Research in Linguistics at York), the first PG conference for general linguistics that York will have hosted in some time, if ever. This will be held in September and is being overseen by the indomitable and impressive Catherine and Emanuela. The second is a librarian-esque Unconference, which I'm organising with a couple of linguists, a computer scientist and the GSA...and we're keeping our heads down and getting on with the organisation at the moment, so more details to follow soon!
- I've signed up to be the new chief editor of the York Papers in Linguistics, whose pages last year contained a short paper by yours truly. We haven't got a lot to do just yet, but it should get busy around summer time, which will prove a pleasant sideline.
- I'm still teaching one seminar group in Introduction to Syntax, which keeps me sane, even if the Friday morning early start has me all fingers and thumbs, breaking chalk and accidentally flinging board rubbers around. I'm also down to cover a couple of Practical Psycholinguistics seminars towards the end of the term, which I'm really excited about.
- For my sins I am the PhD rep for the department, so I sit on the Graduate School Board and the Board of Studies. It's a good insight into the administration required to run a department, and useful to be able to take fellow students' concerns directly into an arena where they can be seen to.
- Aaaaaaand there's an intriguing little side project which will be taking up a bit of time between now and March...I can't say much more yet, but suffice to say I'm a bit blown away by it!
So with all of these commitments filling up my timetable, it leaves me specific times, luckily usually a full day at a time, when I am free and therefore VERY motivated to get on with my own stuff.
And on a side-note, here's the first piece of physical evidence of the effects of librarianship/postgraduate study...
![]() |
| Baby's first pair of glasses |
That's right, they've robbed me of my eyesight.
That's a little dramatic, actually - with a prescription of -0.75, I'm hardly blind, and I don't even need to wear them to drive or ride my bike. But it was scary how much clearer the world became when I tried them on for the first time yesterday...
Ah well. This new-found clarity should help me see the pathways that the PhD is opening up for me, and to take them with confidence!
Wednesday, 23 January 2013
Review: Lightning Rods seminar on "Is the academy just not funny enough?"
It's an interesting place to work, the HRC. Sometimes we
linguists can feel a bit like interlopers who've snuck in
under the radar, when all the circulated emails are about
Edwardian culture and whole reading groups dedicated to
Finnegan's Wake. However, I decided to make a much more
effort to get involved in HRC life this year through things
such as Christmas Crafternoons (SO much glitter) and
discovering that English lit students make great
duetting partners for German translations of Beatles'
songs.
Another, slightly more academic, way of getting involved is
to trot along to some of the seminars that they hold here.
There's two seminar series, of which the one I went to last
night, Lightning Rods, is the less "utilitarian" and more
"indulgent" one (so says Judith Buchanan, director of the HRC). Works
for me.
Actually, the title of this talk was what drew me in particular - "Is the academy just not funny enough?" I have a latent interest in humour theory anyway as a legacy of the legendary Dr Penny Simons's module on Le Rire Gaulois (Medieval French Humour) from the final year of my undergrad. But it's also something that's been interesting me and my coursemates recently: it seems that academics so frequently say blatantly funny things with a po-face and serious bearing, or seem just about ready to pop with pomposity, while we're suppressing our sniggers and trying to work out how to turn into "serious academics". Are the academy and humour mutually exclusive? And if not, why are we so reticent to have a bit of a giggle at ourselves and the subject which impassions us?
The session was chaired by Professor Jason Edwards (History of
Art) and there were four brave speakers from throughout the
university:
Professor Guy Halsall (History), Dr Lisa
Peschel (Theatre, Film and Television), Dr Bryan Radley
(English) and, interestingly, Dr Carolyn Hunter (Management).
Professor Edwards opened with a few thoughts framed in a rhetorical style that would make Carrie Bradshaw proud, and ensured the first giggle of the night came good and early. He wondered aloud whether humour is seen as "juvenile, escapist, defensive" in an academic world in which "criticism and hostility are employed as modi operandi", before handing over to Professor Halsall.
Eminent historian Professor Halsall was also quick to jump on a bit of humour, this time at his own expense, by referencing his recent mini-media storm. He then went on to question that "subjective, moveable fine line" which dictates whether something is acceptably funny or an acceptable target for humour, or whether things have "gone too far". He also looked at how the ethics of humour interact with the ethical responsibilities of the historian to represent and analyse historical events as carefully as possible. He noted that somewhere between "complete empathy and complete alterity" with/from sources may lie the key, but that humour helps historians both to distance themselves from and engage with sources, to the point that we (or at least he) often find ourselves laughing both with and at Sisyphus as his boulder rolls back down the hill, because our sense of shared humanity helps us see just how ridiculous humanity really is. He concluded that maybe it wasn't a question of having gone too far with humour in academia, but "maybe, we haven't yet gone far enough".
From this Arts and Humanities perspective we segued into a more utilitarian perspective from Dr Hunter, who researchers the use of humour and play in corporate environments. Apparently there's a long tradition of studying the role of humour in management studies, and (as I too had noticed) humour is coming back into vogue as something which can be harnessed and used in the workplace. She talked about how corporate bods used humour - a good thing as long as it results in higher productivity, and it can even be seen as anti-corporate not to join in the fun - and that, following Bergson, there is a sense that empathy and emotion inhibit humour, so in order to build a more coherent workplace, people need to distance themselves from their natural emotions and laugh. This paradox of humour both distancing and forming bonds between people was a recurring theme, as you have probably already guessed. Dr Hunter concluded that humour certainly can be a serious thing, although the downside for a humour researcher seemed to be that all her study participants seemed to expect her personally to be and perform as 'a funny person'...pressure, much?!
Our next speaker, Dr Peschel, seemed more than happy to perform however - literally, as she and Dr Radley performed a skit about...the Holocaust. And it was genuinely funny. She challenged us to think about whether the writers, in this case two prisoners in the ghetto, should be celebrated or condemned, in the same way that Roberto Benigni faced both acclaim and revulsion for his 1997 film Life is Beautiful, inviting thoughts not only on distance and acceptability of topics, but also whether the position of the writer and his/her circumstances lends either credibility or insult to the given theme.
After his cameo appearance in the skit, Dr Radley was our final speaker. He focused more closely on the question asked in the title of the seminar, and the consequences of such a statement. He wondered whether the academy could be funny, and if so, what the purpose of this would be. He highlighted how engaging an issue humour and seriousness is in the Arts and Humanities by linking back to the current political and economic situation, noting that it is possible that "we take ourselves too seriously, while no-one else takes us seriously at all", and that humour can be an incredibly powerful tool in holding the attention of and making connections in the minds of your students while teaching (something that Professor Halsall had also noted). As for the study of humour itself, he noted that even Bergson admits that it is hard to theorise humour coherently, and that none of the three humour theories - relief, superiority and incongruity - can alone account for human laughter without seriously warping either the source, or the theory itself. He also recognised how trying to study humour invariably seems to kill it flat, quoting E.B. White:
(...there was a Classical quote too but I've forgotten who it was...)
Dr Radley concluded that it wasn't helpful to create any kind of binary relation between humour theory and the study of tragedy, as neither is completely uncontaminated by the other, and it is that "contaminant" which is so interesting and so ephemeral.
There were some interesting discussions once the floor was opened up, from whether humour is appropriate in a teaching context or could undermine and put pressure on teachers, especially PGWTs; whether "enforced humour" from management is actually productive and whether it can be counted as humour at all; and the big question of who decides what is an appropriate target for humour - the answer to that, it seemed, was that no-one has the right to outlaw any topic, while Professor Halsall insisted that no topic was out of bounds of his funny-bone.
I asked two questions; I was interested in the distance-engagement paradox and, off the back of Dr Peschel's performance, asked whether humour would in fact be a very useful tool for studying history, as it breaks through emotions which stop historians from seeing the finer details - in the case of Dr Peschel's skit, we saw the real humanity of someone trying to survive in an utterly inhuman and dehumanising situation, and the humour allowed us to see through the head-spinning numbers (6 million) to see one person and how they coped. She agreed with me and a small debate followed on the ethics of laughing at history, but the importance of not being blinded by very human emotions in academia. I also asked whether it is more difficult for Arts and Humanities scholars to be humorous in their work, given that they are judged not only on their words, turns of phrase and opinions, but other people's interpretations of what they write; as such, it's much more dangerous for them to introduce any ambiguity e.g. through irony, whilst scientists, mathematicians and even theoretical linguists can throw in all the gags they want, because their evidence is in graphical or numerical form and will be judged (largely) in isolation.
It was concluded from the open discussion that introducing humour into academia involves some quite serious risk-taking: the risk you will be misunderstood; the risk that you will offend; the risk that you simply won't be seen as funny. But there seemed to be an overriding air that maybe, it might just be worth taking that risk a little more often than we currently do.
**I want to say here that everything written above is my memory and interpretation of last night's session, and that I am sorry and willing to edit anything which may be seen as a misrepresentation of the excellent speakers and audience present. Please let me know if you were there and think that anything needs to be altered!**
And if you're interested: people who were mentioned last night or have made interesting contributions to this field (this is just intended as a starting point):
Henri Bergson
![]() |
| Sie liebt dich: ja, ja, ja... IMAGE SOURCE |
Actually, the title of this talk was what drew me in particular - "Is the academy just not funny enough?" I have a latent interest in humour theory anyway as a legacy of the legendary Dr Penny Simons's module on Le Rire Gaulois (Medieval French Humour) from the final year of my undergrad. But it's also something that's been interesting me and my coursemates recently: it seems that academics so frequently say blatantly funny things with a po-face and serious bearing, or seem just about ready to pop with pomposity, while we're suppressing our sniggers and trying to work out how to turn into "serious academics". Are the academy and humour mutually exclusive? And if not, why are we so reticent to have a bit of a giggle at ourselves and the subject which impassions us?
![]() |
| A unicorn and a lion playing chess. That's pretty funny. IMAGE SOURCE |
![]() |
| Did you just nick my style there, Edwards? IMAGE SOURCE |
![]() |
| And you thought a PhD was bad... IMAGE SOURCE |
Our next speaker, Dr Peschel, seemed more than happy to perform however - literally, as she and Dr Radley performed a skit about...the Holocaust. And it was genuinely funny. She challenged us to think about whether the writers, in this case two prisoners in the ghetto, should be celebrated or condemned, in the same way that Roberto Benigni faced both acclaim and revulsion for his 1997 film Life is Beautiful, inviting thoughts not only on distance and acceptability of topics, but also whether the position of the writer and his/her circumstances lends either credibility or insult to the given theme.
![]() |
| Rib-tickling, gut-wrenching, horror-inducing, or all of the above? IMAGE SOURCE |
Humor can be dissected as a frog can, but the thing dies in the process and the innards are discouraging to any but the pure scientific mind. (source)...and Dorothy Parker:
I had thought, on starting this composition, that I should define what humor means to me. However, every time I tried to, I had to go and lie down with a cold wet cloth on my head. (source)
| I want to know more about this woman... IMAGE SOURCE |
Dr Radley concluded that it wasn't helpful to create any kind of binary relation between humour theory and the study of tragedy, as neither is completely uncontaminated by the other, and it is that "contaminant" which is so interesting and so ephemeral.
There were some interesting discussions once the floor was opened up, from whether humour is appropriate in a teaching context or could undermine and put pressure on teachers, especially PGWTs; whether "enforced humour" from management is actually productive and whether it can be counted as humour at all; and the big question of who decides what is an appropriate target for humour - the answer to that, it seemed, was that no-one has the right to outlaw any topic, while Professor Halsall insisted that no topic was out of bounds of his funny-bone.
I asked two questions; I was interested in the distance-engagement paradox and, off the back of Dr Peschel's performance, asked whether humour would in fact be a very useful tool for studying history, as it breaks through emotions which stop historians from seeing the finer details - in the case of Dr Peschel's skit, we saw the real humanity of someone trying to survive in an utterly inhuman and dehumanising situation, and the humour allowed us to see through the head-spinning numbers (6 million) to see one person and how they coped. She agreed with me and a small debate followed on the ethics of laughing at history, but the importance of not being blinded by very human emotions in academia. I also asked whether it is more difficult for Arts and Humanities scholars to be humorous in their work, given that they are judged not only on their words, turns of phrase and opinions, but other people's interpretations of what they write; as such, it's much more dangerous for them to introduce any ambiguity e.g. through irony, whilst scientists, mathematicians and even theoretical linguists can throw in all the gags they want, because their evidence is in graphical or numerical form and will be judged (largely) in isolation.
![]() |
| Linguists: if you don't get this joke, we can no longer be friends. IMAGE SOURCE |
**I want to say here that everything written above is my memory and interpretation of last night's session, and that I am sorry and willing to edit anything which may be seen as a misrepresentation of the excellent speakers and audience present. Please let me know if you were there and think that anything needs to be altered!**
And if you're interested: people who were mentioned last night or have made interesting contributions to this field (this is just intended as a starting point):
Henri Bergson
- Laughter: An Essay on the Meaning of the Comic [Le rire](1900)
- Jokes: Philosophical Thoughts on Joking Matters (1999)
- On Humour (2002)
- 'Fragment of an Analysis of a Case of Hysteria' and 'Jokes and their relation to the unconscious' in The Standard Edition of the Complete Psychological Works of Sigmund Freud, ed. J. Strachey (1973)
- Just about anything, it seems! Let me know if there's a particularly good source and I'll add it here.
- 'Some remarks on humor' in Essays of E.B. White (1941)
Thursday, 10 January 2013
Happy New Year, Happy New Researching
2013. Doesn't look quite right yet, does it? I personally think that it looks like it has more get-up-and-go then 2012, but there is no good reason behind this, apart from a slight tendency towards synaesthesia (the number 5 is pink and fluffy, don'tcha know? Though it looks a lot scarier when attached on the end of 2015, where it signals THE END OF MY STUDENT CAREER. Hopefully.)
Ahem. In any case, if there's a bit of energy (perceived or otherwise) knocking around, I am determined to make the most of it. The end of last term left me on the ropes, the blurry and half-formed face of my Quasimodo thesis staring down at me from a great height and just about ready to put the boot in, before Father Christmas scooped me up, up and away (at least as far as Chester). I am not at all delirious, but merely cognisant of the ever-changing, glowering beast that the PhD experience can seem to be, which differs so greatly from the in-yer-face and away-you-go whirlwind MA year. I have so far learnt:
Ahem. In any case, if there's a bit of energy (perceived or otherwise) knocking around, I am determined to make the most of it. The end of last term left me on the ropes, the blurry and half-formed face of my Quasimodo thesis staring down at me from a great height and just about ready to put the boot in, before Father Christmas scooped me up, up and away (at least as far as Chester). I am not at all delirious, but merely cognisant of the ever-changing, glowering beast that the PhD experience can seem to be, which differs so greatly from the in-yer-face and away-you-go whirlwind MA year. I have so far learnt:
- Literature reviews are blimmin' hard to start, when you're trying to coherently group the 21 sources you have so far pored through in great detail
- Even 1st year exam marking has its charms, when there's another chapter that needs reading
- There is no perfect starting point. Every answer throws up at least three more questions
- Fixed deadlines are beautiful, rare jewels that I never appreciated when I had them, and which I greatly miss now
- Teaching is awesome and will keep you sane, even if it continues to induce stomach churning and unnecessary sweating every other Wednesday morning
![]() |
| The view at my desk...a bit post-it note heavy, but it works! Also very pleasant to be able to survey the wildlife from time to time. |
There's just a few pearls of wisdom (read:garbage) for you on the back of one term's PhDing. It seems that the main themes running through this are the need to avoid isolating yourself, and knowing how to make massive jobs into itty-bitty-manageable ones. Here's my plans for dealing with these issues:
Avoid isolating yourself
- Ensure that daily lunches with lovely linguists (happily no syntacticians, so no fear of chatting shop) continue this term
- Continue to revel in teaching, without using it as a distraction tactic
- Keep finding fellow syntacticians and semanticists to bounce off, even if κύριε καθηγητά is off doing exciting things in Boston
Breaking down massive tasks
- Post-it notes. As anyone who has seen my desk knows, it's ALL about the post-it notes. And they genuinely do help
- Don't expect to get things perfect (e.g. the literature review in the perfect order, or the ideal abstract structure) first time. Drafts are not only OK, they're a blimmin' good idea
- ...following on from the point above, getting words onto paper (real or digital) is GOOD. My head just won't hold all this information on its own, no matter how hard I try...so why am I trying?
- Reading must be punctuated by thinking. Otherwise it won't go in, and I won't get anything original out of it anyway. GET AWAY FROM THE LAPTOP MORE FREQUENTLY!
- Creating deadlines for myself. Be it a supervisor meeting, a postgrad conference abstract submission to get me motivated about a bigger conference's deadline, I need motivation, and this is the most effective way for me to get it
I don't think that all these things are possible all of the time, and I'll find other ways and means of dealing as the year goes on. But as I am fortunate enough to have good people around me, and little gems of projects showing up from time to time, I think I'll be OK. And that will do for the meantime.
Wednesday, 12 December 2012
Little things that keep you going
As we're approaching the end of our first term of PhD study and Christmas is only 2 weeks away, we're all getting a bit delirious up in Berrick Saul Towers. But the following examples seem to suggest that this is not a fleeting state of mind, and might in fact come in quite handy if we're to become academics in linguistics...
...things talk and go bump-in-the-night in semantics...
...but the monkeys are fighting back in phonological development...
...whereas kangaroos are on the march in psycholinguistics...
...and it's all just a bit gross in phonetics and phonology...
Thanks to Catherine, Dann and J respectively for insights into their areas of linguistics - who knows what we might turn up next? But whatever it is, at least we keep each other smiling.
...things talk and go bump-in-the-night in semantics...
"Together, these observations will build a strong case against Kaplan's theory of indirect discourse, and in favor of the monster-based alternative that I lay out in Section 5."(Schlenker, 2003)
...but the monkeys are fighting back in phonological development...
"[...] a grammar ought not to contain explicit statements against monsters (they use the NO-BANANA example in order to show that there is no point in explicitly excluding real bananas from UG by an explicit statement therein)"(Scheer, 2011)
...whereas kangaroos are on the march in psycholinguistics...
"It is plausible that, say, human acts of hopping are more likely than kangaroo acts of hopping to be marked as such in Greek, regardless of listener characteristics, just because these gait types vary in typicality for the named animals. But it is also likely that such usages are to some degree tailored “on line” to the inferred expertise of the listeners—more manner information expressed concerning hopping, say, to Frenchmen and Balinese than to Australians, during kangaroo conversations."(Papafragou, Massey and Gleitman, 2006)
...and it's all just a bit gross in phonetics and phonology...
"When relaxed the vocal folds are relatively thick, and open and close in an undulating manner, the mucous membrane moving somewhat independently like flabby skin on a waving arm."(Boden et al, 2003)
Thanks to Catherine, Dann and J respectively for insights into their areas of linguistics - who knows what we might turn up next? But whatever it is, at least we keep each other smiling.
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